compression wave
A Woman Speaks

Moon marked and touched by sun
my magic is unwritten
but when the sea turns back
it will leave my shape behind.
I seek no favor
untouched by blood
unrelenting as the curse of love
permanent as my errors
or my pride
I do not mix
love with pity
nor hate with scorn
and if you would know me
look into the entrails of Uranus
where the restless oceans pound.

I do not dwell
within my birth nor my divinities
who am ageless and half-grown
and still seeking
my sisters
witches in Dahomey
wear me inside their coiled cloths
as our mother did
mourning.

I have been woman
for a long time
beware my smile
I am treacherous with old magic
and the noon’s new fury
with all your wide futures
promised
I am
woman
and not white.


Audre Lorde

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centuriespast:

The Beach at Tenby, Wales
William Trost Richards (1833-1905)
ca. 1885
Oil on canvas
Pennsylvania Academy of the Fine Arts
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fitter-stoke:

Statuette of a naked woman, maybe the Great Goddess of Babylon (or Ishtar). From the necropolis of Hillah, near Babylon.
Reblogged from centuriespast with 429 notes / Permalink
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Musicians are poor, corporations are rich, and Brazilians are cool.

lolmythesis:

Ethnomusicology

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sans soleil (chris marker, 1983)

(Source: rifles)

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taint3ed:

This bitch. Byeeeee

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russian-style:

Pyotr Konchalovsky - Portrait of Vsevolod Meyerhold, 1938
The portrait was created not so long before the arrest and death of Russian theatre director Meyerhold, so there is a contrast between the vivid background and sadness  of removed master.
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ancientart:

Kitchen Tender being Rowed. Egyptian, ca. 1981–1975 B.C., from the Tomb of Meketre.

Many outings of Egyptian nobles culminated in a picnic. On the menu for Meketre’s boat trip were roasted fowl, dried beef, bread, beer, and some kind of soup. Meat and bread were carried on another model of a tender, now in Cairo. Here, the beer is prepared and the soup cooked. A blackened trough may have contained burning coal for roasting the fowl. A man tends a stove on which soup simmers. On either side, a woman grinds grain. Brewers inside the cabin are shaping bread loaves, then working them through sieves into large vats. One brewer stands in another vat, where he tramples the dates that provide the sugar for the fermentation of the beer. The oars of this boat are fixed to the sides; to avoid damaging the oars while the boats were transported and deposited in the model chamber, all oars of Meketre’s boats were secured in this manner. (met)

Courtesy of & currently located at the Metropolitan Museum of Art, New York, via their online collections20.3.3.

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